DOU, Gerrit
Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
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DOU, Gerrit The Physician dfg oil painting


The Physician dfg
1653 Oil on oak, 49,3 x 37 cm Kunsthistorisches Museum, Vienna
Painting ID::  6473 		DOU, Gerrit
The Physician dfg
1653 Oil on oak, 49,3 x 37 cm Kunsthistorisches Museum, Vienna
   
   
     
DOU, Gerrit Portrait of a Woman dfhkg oil painting


Portrait of a Woman dfhkg
Oil on canvas, 82 x 65 cm Museum of Fine Arts, Budapest
Painting ID::  6474 		DOU, Gerrit
Portrait of a Woman dfhkg
Oil on canvas, 82 x 65 cm Museum of Fine Arts, Budapest
   
   
     
DOU, Gerrit The Quack dfgsg oil painting


The Quack dfgsg
1652 Oil on canvas, 112 x 83 cm Museum Boymans-van Beuningen, Rotterdam
Painting ID::  6475 		DOU, Gerrit
The Quack dfgsg
1652 Oil on canvas, 112 x 83 cm Museum Boymans-van Beuningen, Rotterdam
   
   
     
DOU, Gerrit Young Mother sdg oil painting


Young Mother sdg
1658 Oil on canvas Mauritshuis, The Hague
Painting ID::  6476 		DOU, Gerrit
Young Mother sdg
1658 Oil on canvas Mauritshuis, The Hague
   
   
     
DOU, Gerrit Man Writing by an Easel oil painting


Man Writing by an Easel
1631-31 Oil on panel
Painting ID::  18991 		DOU, Gerrit
Man Writing by an Easel
1631-31 Oil on panel
   
   
     
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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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